I’m assuming since you’re reading the liner notes, you must be looking for something more. maybe this is artistic context.
this project started in my sister’s apartment in williamstown, ma. It was completed over three weeks, following me wherever I went – boston, williamstown, albany, chicago, aspen, denver, and san francisco – and then was mastered over a week in zurich, zermatt, london, san francisco, dallas, baton rouge and new orleans. it was a pretty absurd way to live – coming home every week to work, leaving the next weekend to go somewhere new, and the time I’d typically be waiting around, watching tv, or sleeping I instead spent making mixes in apartments, hotels, airports, buses, and planes.
I had the great fortune of traveling with and being hosted by some awesome people: Chelsea, Alex, Ramsay, Sarah, Lauren, Bri, J-Ray, DJ, Jack, Wen-Ai, Alice, Rosen, David, Justine, Emily, and Danielle – enormous thanks to all of you.
over the time period, I traveled 26,542 miles, worked 116 hours at my day job, tweeted 41 times, made 26 new facebook friends, danced for 17 hours, snowboarded five mountains, celebrated four birthdays, took two trips to the hospital, learned that my favorite author passed away, and ended up with 11 tracks.
this is all to say: there’s context here that is probably impossible to ascertain from listening to the combination of 90s hip-hop from brooklyn and songs written in wandsworth, uk in 2009, but it is here if you’re interested in it. the notion of artistic context – the story behind the piece – has always intrigued me, so perhaps you’ll like knowing what was going on as I made these tracks.
I hope you like listening to it – I had a lot of fun making it.
-charlie (wait what), 4.21.10
released March 25, 2010
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